Reuters interview: "Japanese theatre comes to London in cultural exchange" (Charing Cross Theatre / Umeda Arts, 2024)
"Momoko Hingley’s excellent performance as the overthinker, over analytical and stressed worker and pregnant Narumi..." (Review: One Small Step)
"When one partner is pregnant and the other is not, inequity is already present in the relationship. One Small Step highlights that in its forthright discussions and in the strength of Hingley’s performance" (Review: "One Small Step")
"Then, there is, of course, Susan Momoko Hingley, outstanding as the volatile, perspicacious, determined Sakiko, a defiant young woman who refuses to succumb to patriarchy, yet with a ready capacity for reflection. The agony etched on her face after her last scene with Dan is, perhaps, a whole act/chapter without words." (Melbourne Arts Review on "Missing People", 2020)
Enterminal.jp on "Missing People" (Leeds Playouse, 2020)
Guardian Review: Tamburlaine (Arcola Theatre, 2017)
"The scenes with Hamlet and Ophelia (Susan Hingley) are remarkably impressive...Ophelia's solo scenes are wonderfully layered and touching, accompanied with the video projections of Ophelia' s death where she first plunges into the water and then is seen again convulsing and drowning until she dies." (DubrovnikNet, 2016)
"Titillation is provided by Simon Stephens scuffing up Susan Hingley’s translation with the usual demotics." (Daily Mail, 2016)
"Susan Hingley was hilarious and versatile, picking up different accents as the caretaker and eccentric restaurant manager." (London Theatre Review on "The Bite", 2016)
Independent Review: "Around the World in 80 Days" (2014)
Telegraph Review: Orphan of Zhao (RSC, 2012)
